My Favourite Lens: The Leica APO Summicron SL 1:2 50mm ASPH

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My favourite lens is the first prime lens I bought, and the first Leica lens I bought. Some view it as the best 50mm lens ever made.

Jason’s Newsround: It’s a fact of life, there’s always a new camera or lens...

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A new camera is always a thrill. This week's Macfilos Newsround looks at a few new arrivals in summer 2024. And at some lenses, too.

Back-Button Focus: Disentangling focus and shutter release

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Back-button focus allows photographers independent control of focusing and shutter release, which offers a number of advantages. Its implementation on the Leica SL2 is particularly elegant.

Leica fixes SL3 firmware bug that caused image files to be deleted

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Leica has fixed the file-overwriting firmware bug and updating is essential for all owners

Panasonic Lumix S5II: The only L-Mount camera you might ever need

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The author gives us his assessment of a camera that used to be referred to as a stepping stone to more accomplished Leica cameras, but is currently receiving much critical acclaim in its own right.

Jason’s Newsround: Film buffs want scans, not negatives

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Sales of photographic film are booming. But, despite shelling out big money on the film itself, it looks like the new cadre of film shooters have some new ideas. Film buffs want scans, not negatives. We take a look at this new and rather perverse trend in this week's Newsround.

Jason’s Newsround: Third-party lenses, a photographer’s best friends

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If you own an interchangeable-lens camera, chances are you own a couple of third-party lenses, delivering high optical performance at low cost. This week, we have good news from the world of third-party lenses.

Sigma 28-45mm f/1.8 DG DN | Art: World’s first constant f/1.8 full-frame mirrorless zoom

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The new Sigma 28-45mm f/1.8 DG DN | Art is claimed to be the first full-frame zoom lens with a constant maximum aperture of f/1.8. Sigma says that this fast zoom delivers sharpness and clarity comparable to that of a prime lens throughout the range. Sigma has already pioneered fast zooms with the 18-35mm f/1.8 DC HSM | Art and the 25-35 f/2 DG HSM and the DN (digital native) 28-45mm f/1.8 adds to this impressive line up to join the latest lenses designed expressly for mirrorless cameras.

Leica versus Panasonic: A Macfilos editorial view on the latest compacts

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The Macfilos team share their perspectives on two recent camera releases: the Panasonic Lumx S9 and the Leica D-Lux 8.

Panasonic Announces the LUMIX S9: A new, compact, full-frame, L-Mount camera

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Panasonic takes aim at social network-savvy photographers and videographers with the new Lumix S9, a compact, full-frame, L-Mount camera.

Sigma 24–70mm f/2.8 Art Zoom: Second generation is lighter, smaller with higher performance

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The second-generation Sigma 24–70 f/2.8 DG DN |Art zoom is launched today. It promises improved optical performance and a welcome ten percent weight reduction with a seven percent size bonus...

Jason’s Newsround: Lies, damn lies, rumours, and statistics

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Camera gear addicts love a good camera gear rumour, especially if it's about a long-awaited, highly-desirable piece of kit. This week, we've got a few to share.

L-Mount Cornucopia: Keeping track of your lens options

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The success of the L-Mount means it is increasingly difficult to remember just what lenses are available. The handy reference table sorts models by focal length to make things easy...

Loose Pucks, Light, Location and Leicas: The challenges of photographing amateur ice hockey

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In his first experience of photographing ice hockey, the author learns a lot about the game, sports photography, and his Leica camera.